Wednesday, 17 December 2014
Tuesday, 16 December 2014
Unknown
Summary
A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
The movie structure mostly follows the Classic Hollywood Narrative because the movie is linear, it shows a beginning middle and then an end. But it could also be shown as following Todorov's theory of equilibrium – disruption – resolution – new equilibrium. The movie is fine at first then it goes wrong because there is conflict with no one knowing who he is and they people try to kill him but he kills them then and it ends by him remembering his identity and everything is brought to a new equilibrium.
The trailer displayed all the key elements of a captivating thriller in order to engage the audience and foreshadow what would be happening in other scenes of the movie.
The McGuffin provides the basis of the story but the viewers are only in the main character - Liam Neeson. This links back to the importance of a trailer because without one then the audience would not show such interest in the movie.
Key scenes of tension:
• Film has essential characteristic of a good thriller - moments of high tension.
• e.g. The hospital scene reaching for scissors leading to murder.
1. Soundtrack effective – disorientating sounds
2. Use of close up.
3. Fast editing leading up to the escape.
4. Analyse the scene in the Flat.
The Club Scene
This scene is effective because:
• Loud booming soundtrack – disorientating and threatening
• Screen dark – only shadows – indistinct – the viewer shares the main character’s confusion.
In this film White Western people are portrayed as the dominant group and the immigrants are the subordinate group we know this because they are frightened of being deported and they have very low paid jobs. This archetype represents ethnic minorities and it is a negative representation of the opposing race.
This is an interview of Liam Neeson talking about the film.
"erm it might be interesting to play someone who is confused all the way up until the last 20 minutes of the film" - 1:50. This reflects on Todorov's theory especially in the 'disruption' faze.
A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
The movie structure mostly follows the Classic Hollywood Narrative because the movie is linear, it shows a beginning middle and then an end. But it could also be shown as following Todorov's theory of equilibrium – disruption – resolution – new equilibrium. The movie is fine at first then it goes wrong because there is conflict with no one knowing who he is and they people try to kill him but he kills them then and it ends by him remembering his identity and everything is brought to a new equilibrium.
The trailer displayed all the key elements of a captivating thriller in order to engage the audience and foreshadow what would be happening in other scenes of the movie.
The McGuffin provides the basis of the story but the viewers are only in the main character - Liam Neeson. This links back to the importance of a trailer because without one then the audience would not show such interest in the movie.
Key scenes of tension:
• Film has essential characteristic of a good thriller - moments of high tension.
• e.g. The hospital scene reaching for scissors leading to murder.1. Soundtrack effective – disorientating sounds
2. Use of close up.
3. Fast editing leading up to the escape.
4. Analyse the scene in the Flat.
The Club Scene
This scene is effective because:
• Loud booming soundtrack – disorientating and threatening
• Screen dark – only shadows – indistinct – the viewer shares the main character’s confusion.
In this film White Western people are portrayed as the dominant group and the immigrants are the subordinate group we know this because they are frightened of being deported and they have very low paid jobs. This archetype represents ethnic minorities and it is a negative representation of the opposing race.
This is an interview of Liam Neeson talking about the film.
"erm it might be interesting to play someone who is confused all the way up until the last 20 minutes of the film" - 1:50. This reflects on Todorov's theory especially in the 'disruption' faze.
Monday, 15 December 2014
Animatic
This is my animatic for my final piece.
Saturday, 13 December 2014
Treatment
Treatment
|
Group Roles
Cinematography: Denis
Mise-en-scene: David
Sound: Temitayo
Editing: Nadine
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Title: Mask
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Synopsis:
MASK
(story
outline)
- a guy with a mask on wakes up and doesn't
know where he is
- he sees a
blood trail and follows it till he ends up in a room
- he then
finds a dead body and runs out of the building in panick
- where he
is greeted by a strange person
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Key Genre Conventions:
- set in the morning and light blinds his eyes
-
a lot of P.O.V shots so most of the thriller openings
|
Friday, 12 December 2014
Thursday, 11 December 2014
Shot List
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Shot List
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||
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Scene
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Shot Number
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Description
|
|
1
2
3
4
5
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1
2
3
4
5
6
7
8
9
10
11
12
13
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P.O.V/pan - main character is looking through
a mask around the room. Looks at his hand and sees hand
close
up - on face, trying to take off the mask but he fails
establishing/pan
shot - shows the room
medium
shot - the guy stand up
P.O.V -
looking at his feet then seeing a blood trail
tracking
shot - follows the trail
extreme close up - showing fear long shot
- phone vibrating then camera stays still while boy walks towards phone
P.O.V - picks up phone, sees message 'where
are you' sent 2 days ago
medium shot - continues to follow blood
P.O.V -
opening door
outside
shot through a window seeing the mask and opens the door
extreme close up - scared and shocked he falls
to the floor
tilt of
dead body
running
out, finding himself outside
crane shot - portrays his isolation over the shoulder, long
shot, exreme close up, P.O.V, 360 degrees spinning shot of the
world around him
|
Wednesday, 10 December 2014
3rd Production Meeting
Now we have started filming, we have got to the midway point of our opening. Throughout, we have a lot of takes that are not going to be any use to us, so we have started deleting the shots that went wrong and picking the shots that went smoothly. We have also looked through our filming to ensure we have all the different types of shots in our shot list, we enquire to make a good thriller opening.
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